EI VARASTOSSA - OUT OF STOCK Very high-quality eq pedal, which can also be used as a boost. Are you someone that’s always striving to enhance your tone? It’s time to un-leash the power of the Empress ParaEQ w/Boost on your instrument – sadly, it may piss you off that you haven’t been using it for years. Features of the Empress ParaEq w/Boost Ultra Transparent Sweet Sounding EQ – enhance your sound without masking the tone of your instrument. Lots of Control - with switchable q, fully over-lapping sweepable frequency selection, and 15dB of cut and boost you’ll get all the control you need. Ultra-Quiet – You’ve come to expect our pedals to be noise free and we’ve delivered once again. If you put this at the front of your chain and boost a bit you’ll also cut down on the noise your other pedals are introducing. Loads of Headroom - Internally switchable to run off 9/12/18V power supplies. 30dB of Boost - making it an ideal candidate before long effects chains and overdriving tube amps. Pristine Clean Sound – We measured the distortion to be less than 0.03%. Pretty remarkable for a guitar pedal. True Bypass - The Empress ParaEq w/Boost employs true bypass, so you can be sure that it's not affecting the signal when disengaged. Perfect Size - The enclosure measures approximately 4.5" by 3.5" by 1.5", which is delightfully small when considering all the features packed into this unit. Two Year Warranty - The Empress ParaEq w/Boost comes with a two-year warranty. Read our Warranty for details. You can extend the warranty to 4 years by simply registering online. The Empress ParaEq w/Boost does not run off of batteries. It is powered by a standard 9, 12 or 18VDC negative tip wall wart (like the BOSS PSA-120). Controls The Empress ParaEQ has three ‘bell shaped’ bands of eq : low, mid and high. Each band has the following three controls: Low/Mid/Hi Frequency - This control selects the frequency at which you’d like to boost or cut. For flexibility, the frequency controls span a wide range. This makes the eq good for bass players who want to adjust the low frequency part of the signal and for acoustic guitar players who may want to remove a high frequency that is prone to feedback while playing live. Q - The Q determines the range of frequencies which the eq affects. i.e. If you have a wide Q and you’re boosting than the frequencies around the frequency selected will get boosted as well. Conversely, if you select a tight Q and are boosting you’ll tend to only boost at the selected frequency and frequencies close to it, the other frequencies will remain un-touched. When looking at the eq, ‘medium q’ is the left switch position, ‘tight q’ the middle, and ‘wide q’ on the right. Lo/Mid/Hi Gain - This determines the amount of boost or cut. At 12 o’clock there is no boost or cut. At the extremes the unit will provide 15dB of boost or cut. Boost - This is an output boost control. It is perfect for providing gain before an effects chain to minimize noise, or to overdrive the input of a tube amp. The range goes from 0dB to 30dB. Input pad - This control lowers the level at the input of the eq. Ideally, this control should be set at 0dB to maximize the signal to noise ratio of the unit. However, if you are adding lots of gain with one of the gain controls you may be clipping the eq internally – you’ll hear distortion when this happens. In this case switch the input pad to -6dB or -12dB. By lowering the level at the input you’ll prevent the distortion. Bypass - This is a true bypass switch, which does exactly what its name implies. LUE JA KUUNTELE LISÄÄ TÄÄLTÄ
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